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| After the return of these people has brought the West and Japan advanced teaching methods and concepts, such as the 1911 return of the Western Zhou founded China's first School of Fine Arts; Liu in 1912 founded the Shanghai Academy picture, and the first use Painting the human body model; in 1919 the total length of Education to promote Mr. Cai Yuanpei opened the first National School of Fine Arts - Beijing School of Fine Arts, (Principal Lin); in 1927, the Central University to open the arts section (director Xu); founded in 1928 in Hangzhou The first university system of the National Arts Colleges (Lin president). During this period the three main School: realism (Xu); New School (Lin, Liu Haisu); modernist (Cynthia Chin Hsu Pang). In this period, China's war of the 1990s is that without a stable social environment, oil displaced families. Lead the national crisis, a lot of oil painting home for weapons, reflected in the war, to expose the tyranny, such as the Wang-profile "big Taierzhuang bloody battle," Wo-Tang's "victory and peace," Mr Joe "put down your whip." As a result of some of the artists went to war in the northwest, southwest, and other ethnic minority areas, such as creating a "negative water M" (Wu Zuoren). "Kazakhstan Shepherdess" (Dong Xiwen), and other works. At this time of Yan'an, the artist's style was "in the Yan'an Forum on Literature and Art's speech", literary and artistic tendency to "service workers, peasants and soldiers." Xu Beihong's realism and then just with the times and gradually formed the standardization of Chinese oil paintings. "The new combination of art and the people must be" under the influence of view, realism dominate, landscape, still life, figure out in the cold, and other topics. During this period the birth of a group of revolutionary history paintings, such as Wu Yi-chuan's "open transport," Wang's profile "to join the army," Lo Liu's work "tunnel warfare," Dong Xiwen of the "founding ceremony," Li Chun "Lu is scheduled to fly away Bridge" , Ai Zhongxin's "a snow-capped mountains." With the start of a mass movement, the Chinese oil painting has entered a "whole of the Soviet Union," the situation in order to teachingÆõ˹ǡ¿Â·òsystem at the core of teaching oil painting in China is rapidly becoming a single system of teaching and training a group of backbone of the oil painting. Since then, a number of oil paintings in the "nationalization" in the spirit of the expansion of the oil painting of a single system for a breakthrough to form a Luo Liu's work "in the Jinggang Shan", Li Ji's "Princess Wencheng", Yuan Yun-sheng's "Water Village" Xu Jian white "old pictures of the former" works. In 1964, "all taking class struggle as the key link" under the slogan of the Lin Biao and Jiang Qing, and other literary and art circles of a culture of raids carried out. Many of the artist's works have been washed and air-swept, See Chung "Yan River on the edge," Du Jian "in the white water in advance," Li Ji's "Princess Wencheng", Qin Zheng's "home" and so on trumped-up charges Oil Painting-Oil Painting Reproduction-Person Oil Painting-China Oil painting-Art Gallery-Famous Oil painting-Seascape oil paintings in order to show Criticism was destroyed. On the other hand, oil has become a God-made tools, "Chairman Mao Goes to" become a classic of its time for the printing capacity at that time amounted to more than 100,000,000. At this point, some of the young family began to emerge oil, such as Chen, Shen Wei, Chen Ming, and so on. On behalf of the works are: "Never Truce" and "Song of the Yellow River," "Tears harvest field", "I guard the great motherland". After the Cultural Revolution, is the open literature and art, all forms of painting will be turbulent, in the form of painting has become rich and varied. Luo Zhongli which the "father" and Chen's "group of Tibetan painting," Wen Lipeng "the daughter of the earth," Zhan Jianjun "Looking back" is a masterpiece of this period. The Art of spewing in the first period, and oil reached a new crossroads, the Chinese art world is an urgent need for more modern, more fresh air. Among Hu Lin Ti, Gu Difei "General Yang Jingyu," Su Xiao Bai's "big family", Yu's husband, "I simply knock on the door" and other works in the contemporary sense of care under the theme of the painting made a new opening. However, while the culture of false imprisonment has been lifted, but for various reasons (mainly economic reasons), most of the artist's vision and thinking have not yet fully open to the world today enjoy a variety of complex changes, so they do not have a real Representative works. But, after all, the Chinese oil painting at this time has entered a new era, is to learn, change and constantly enriched. | ||
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